THE LAST underground
Literary Sci-fi | Upmarket fiction
The Last Underground takes a fresh look at extraterrestrial first contact. It’s time to evolve beyond who we think we are.
The research for this novel has been immense: 70+ books, a pantheon of forbidden history and abduction regression transcripts.
The Last Underground gets under the hood of zeitgeist taboos like the alien abduction phenomenon, Pre-Sumerian ancient civilizations, and our reluctance to accept that we’re not alone.
EXCERPTS: THE LAST UNDERGROUND
Comps:
The Mountain in the Sea by Ray Nayler (2022),
How High We Go in the Dark by Sequoia Nagamatsu (2022),
Sea of Tranquility by Emily St. John Mandel (2022),
Klara and the Sun by Kazuo Ishiguro (2021),
authors Rebekah Bergman, Wesley Chu, Yoko Ogawa, Tochi Onyebuchi,
and the classic, The Man Who Fell to Earth by Walter Tevis.
THE HOUSE MADE OF WHEELS
Literary Fantasy | Upmarket fiction
Jungle Book meets Heart of Darkness
EXCERPT
Mundi's been everywhere. The one place left is within. When the House is stolen, Mundi must finally face the world.
The House Made of Wheels explores the shadowy layers of identity – a nonbinary finding its place between genders. Mundi must confront its imaginary friend Whatíf, a hermaphrodite, and find a path through a world falling apart. Becoming who you are, might just be the path to being able to make a difference.
Illustrations by Boo Cook, principal artist for Judge Dredd in the UK. Book cover design by Adam Jesse Burns.
IN LIKE FLYNN
Literary | Upmarket fiction
On The Road meets The Picture of Dorian Gray
Book 1 of The Haunted Ghost triology
EXCERPT
Flynn is an old English gent who dies in New Orleans, but refuses to accept it.
I lived on Greyhound buses for a year writing this novel, sleeping in stations, dive motels, canyons and caves. Written entirely in the present tense, on folded, numbered pieces of paper with a pencil. In Like Flynn is about memory and time.
I’m a designer by day, so these suggested covers use only images I own or have permission to use, and fonts I’ve licensed.